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Drummer | Composer | Educator | Researcher

Eduardo Sueitt holds a doctorate and master's degree in Music from the State University of Campinas (UNICAMP), a bachelor's degree in Drums and a teaching degree in Music from the Carlos Gomes Faculty of Music (São Paulo), and is also a graduate of the Tatuí Conservatory in Drums. He works as a drummer, percussionist, researcher, and educator, with a career focused on Brazilian instrumental music, improvisation, and collective practices.

Throughout his career, he has shared stages and recordings with artists such as André Marques, Heraldo do Monte, Itiberê Zwarg, Renato Braz, Ivânia Catarina, Paulinho Pedra Azul, Enéias Xavier, Mariana Zwarg, Fábio Gouvêa, Clayton Prosperi, Alessandro Penezzi, Sintia Piccin, Pablo Lapidusas, Rodrigo Ursaia, Duo Rafael Beck & Felipe Montanaro, Quarteto Sentinela, among others. In 2015, he released his first album, Enlevo dos Pinhais, leading the Eduardo Sueitt Quintet, and in 2017, he was recognized as one of the winners of the XVII BDMG Instrumental Award.

He has performed shows and masterclasses in Brazil and abroad, notably including the Instrumental Sesc Brasil project – Eduardo Sueitt Quintet invites André Marques (São Paulo, 2017); the 12th International Musicians' Meeting – Jazz a la Calle (Uruguay, 2019); the 1st Cycle of Brazilian Rhythms and Drums at the Projazz Professional Institute (Chile, 2019); the Master Class on Brazilian Rhythms at UNIACC University (Chile, 2019); the Brazilian Drum Clinic at Humboldt Jazz Week (Ecuador, 2020); the Master Class with the Jazçur group at the University of the Americas (Ecuador, 2022); and the Masterclass at FoxTrot (Salvador, 2024). He also participates in music congresses, with artistic presentations and publications of academic works.

Since 2016, he has been the creator and curator of the Instrumental no Parque project, held in Poços de Caldas (MG). He worked as coordinator and teacher of the drum room at the International Music Festival at Home – FIMUCA (Brazil, 2020). In 2022, he was in Quito (Ecuador), where he met with musicians Cayo Iturralde (Ecuador), Ramiro Olaciregui (Argentina) and Heber Peredo (Bolivia) for the recording and circulation of the album Jazçur.

Currently, he is a member of the group Ciribaí, which is preparing the release of its first EP, featuring a repertoire of original compositions and arrangements influenced by the master of Universal Music, Hermeto Pascoal. Simultaneously, he is developing the production of his second album, Eduardo Sueitt Quinteto – Amálgama. He works as a professor in the Music Degree program at the State University of Bahia (UNEB) and as a drum teacher at the Antonio Ferruccio Viviani Music Conservatory in Poços de Caldas (MG), and at the Friends of Culture Association of Andradas (AACA).

Currently, the musician is part of the CIRIBAÍ GROUP, a project that aims to deliver a show that prioritizes the spontaneity of improvisation, with a repertoire of original compositions and arrangements influenced by the master of Universal Music, Hermeto Pascoal; he also works as a Professor in the Music Degree course at the State University of Bahia (UNEB) and the Antonio Ferrucio Viviani Music Conservatory in Poços de Caldas-MG.

Biography

Upcoming shows

DATE                     ARTIST                                LOCAL                              CITY                       
 

23/01                 Gravação Álbum Nathália Diniz                   DS Estúdio                                 Poços de Caldas/MG

30 e 31/01          Jurado Festival da Canção de Andradas        Pavilhão do Vinho                        Andradas/MG

13/02                 Nathália Diniz                                          Praça Pedro Sanchez                    Poços de Caldas/MG

14/02                 Choro e Samba Carnaval                           Vinícola Amana                           Espírito Santo do Pinhal/SP

PHOTOS

Scientific works on drums and Brazilian music

Research in music has always been part of my career. Ever since I became interested in music, and later began studying it formally, I have always been an attentive and curious person about everything that permeated my musical practices. Therefore, I think that scientific research in music only arrived to formalize all of this (within academia, lol).

Here I share some works already published since the period I entered the master's degree (2017-2019), and now the doctorate (from 2023).

I hope you like it!

XXXV Congresso da ANPPOM - UFMS 2025

Mestre Radamés: o protagonismo da bateria na composição de Hermeto Pascoal

Carlos Eduardo Sueitt Garanhão - Unicamp
Leandro Barsalini - Unicamp
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XXXIV Congresso da ANPPOM - UFBA 2024

Para além da bateria: o toque de Hermeto em Moreneide

Carlos Eduardo Sueitt Garanhão - Unicamp
Leandro Barsalini - Unicamp
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XXXIII Congresso da ANPPOM - UFSJ 2023

Performance criativa na música instrumental brasileira: modalidades interpretativas do xote na bateria de Siri na lata
Carlos Eduardo Sueitt Garanhão - Unicamp
Leandro Barsalini - Unicamp
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III Congresso Brasileiro de Percussão - 2022
A singularidade percussiva da Banda de Pífanos de Caruaru em Feira de Mangaio: adaptação rítmica e timbrística para bateria
Carlos Eduardo Sueitt Garanhão - UNEB

CONTACT

+55 35 991923813

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Copyright © 2023 Eduardo Sueitt . All Rights Reserved.

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